According to the Nature Conservancy, fewer Americans are spending time in outdoor activities, which could have a serious impact on our environment.
This was one of the stories on the NBC evening news last night.
The Nature Conservancy conducted research that revealed Americans are spending more time with indoor activities, such as the Internet, electronic games and movies and less time at outdoor activities such as camping, fishing and hiking. In fact, the percentage of the American population enjoying the outdoors is at an all-time low.
Although I haven’t seen the research, my own observations of how people spend their leisure time tells me this is probably true.
The reason this is worrisome is that with fewer people spending less time at nature-based activities, nature will become unappreciated and unexplored. If we learn everything we know about nature from the television, our first-hand understanding and appreciation of the importance of clean air and healthy soil and forests and abundance wildlife is diminished.
It’s interesting, too, that participation in outdoor activities is down at the same time there are record numbers of people who are overweight and obese.
I wonder how many of us consider visiting a local nature park, hiking or going to the seashore among the weekend entertainment options of movies and eating out? I know the last time I suggested a hike to Calvert Cliffs State Park to a friend-who-shall-not-be-named I was met with the “you must be mad” expression. We went to an Indian restaurant instead.
So what do we do to reverse this trend? How can we as individuals encourage outdoor activities, particularly those that respect the environment and encourage conservation efforts?
Robin
For the novice, the word “propagation” can seem a bit intimating. After all, it sounds so scientific.
But the fact is, propagation is just a fancy way of saying “make more.”
If you’re interested in dipping your toe into the world of plant propagation (and we are talking plants here), there is no easier plant to start with than the lovely African Violet.
Although she’s been gone for many years, I always associate African Violets with my grandmother. She always had pots of blooming violets on her windowsills. Now, I almost always have some violets growing in my light garden or the windowsills. I continually propagate them and have some ready for giving away for special occasions. I will also group them on the dining table for a live flower arrangement that doesn’t cost a fortune or require loads of chemicals at the flower farm.
Recently, I took one of the prettiest of my violets to my Great Aunt Maxine for her 90th birthday celebration. While I was at her house I noticed she had some violets of her own. What better opportunity to add to my collection in a meaningful way? She supplied a baggie and I loaded up with new cuttings.
To propagate your African Violet, select a leaf that is not too big and not too small. You don’t want an old gnarly leaf or one that is too tiny. Select a medium-sized, vigorous leaf and cleanly slice it off the plant, leaving about 1” of stem.
Now, here’s the hard part. It seems counter-intuitive, but you’re going to have to cut the leaf in half, leaving about 1” of leaf on the stem.
My grandmother used to root her cuttings in plain water, suspending them through a hole in some aluminum foil. This works just fine. But a better, and faster, way is to root the cutting directly in some soilless medium. This is typically available as African Violet soil in nurseries. I can find it in my local grocery store.
Give your cuttings a head start by using a rooting hormone, such as Rootone. Just dip the stem end into the rooting hormone powder before planting the stem in some soilless medium.
Since the plants don’t have roots, it’s important to keep the cutting moist. I just pop a plastic bag over the top of the pot to retain moisture and make sure I water regularly. In your zeal for moisture, don’t overly seal the plant in or you’ll be creating an environment where diseases can flourish.
Plants need light to grow, so make sure you provide adequate light. A sunny windowsill in the winter will do the trick. In the summer, you’ll need to make sure the sun isn’t too intense or the leaves will burn and the soil medium will dry out too quickly. I find that my light garden provides the perfect environment for propagating and keeping live plants.
Some other useful tips for growing African Violets:
-When propagating or repotting, use African Violet potting soil. It’s soilless, so it’s lighter, doesn’t compact and gives the aeration and drainage that the African Violets need. Violets do just fine in the temperatures of the average household—65 to 73 degrees.
-Make sure you protect cuttings and grown plants from drafts. Violet leaves are covered with tiny little “hairs.”
-Avoid getting leaves wet when watering to prevent discoloration. Are you violets dusty? Just use a soft-bristled paintbrush to brush off dust or accumulated dirt.
-Nurseries sell specialized African Violet pots with an inner and outer layer for indirect watering. I have never had as much success with this method as with traditional terra cotta pots. My favorite pots are by Guy Wolff. Large Guy Wolff pots can be expensive, but the tiny ones are very reasonable—and just the right thing to give your African Violets a good start in life.
Interested in the African Violet lifestyle? There is a whole society devoted to the promoting African Violets, the African Violet Society. I remember when we used to live in Florida there was a local African Violet club that got together monthly to talk about their violets. They also had annual competitions at the local fair. Next to the chicken displays, this was always my favorite part of the fair.
Isn’t it amazing that there is a special interest group for everything?
Robin
After reading about it on the Ellis Hollow blog, I decided on a whim to take an online class on botanical drawing through Cornell University.
Given that I have never before expressed (out loud anyway) the desire to draw or paint, it rather took some folks by surprise when I finally admitted to family and friends why I was stocking up on drawing pencils, pads and books on drawing.
My husband’s reaction was: “WHAT?”
My son’s reaction was: “You’re just like your mother!”
My friend Angela’s reaction was: “Why botanical drawing?”
So, to them I’ll answer:
To my husband: [Carefully enunciating here] “An…online…botanical…drawing…class.”
To my son: “Not exactly what I was aiming for, but I can see why you would say that.”
To my friend Angela: “What else would I draw?”
Here’s what I have learned in one week.
First, I have learned to never again say “I’m not an artist.”
No, it’s not that I think I’ve transformed overnight into Marie Cassatt with the help of one week of an online course. Rather, it’s that saying the words “I’m not an artist” is an excuse not to try to improve what skills I can.
On the other hand, given that I’ve reached the age of <<bleep>> without drawing much more than some stick figures here and there and poking fun at myself with a series of drawings on my garden blog, I don’t expect to discover my inner Vermeer. But perhaps I can learn to pay better attention to the details of the natural world around me, render them with enough skill to be able to put it to practical use, and—hey—why not just enjoy slowing down and communing with nature in a way that doesn’t require gloves. a shovel and a shower afterward?
The second thing I’ve learned this week is that the hardest part of learning to draw—so far—has been getting started. I have dedicated the small secretary desk by my bed as my drawing “studio” and filled all the little cubbies with pencils, erasers and inks. I have a nice basket on the floor by the desk where I keep my pads and books on botanical drawing. That was the easy part.
The very hardest part was facing the sprig of Winter King Hawthorn and the empty sheet of paper with a pencil in my hand. OMG. I am taking an online course so I can turn in stick figures and humiliate myself!
“Stop it!!!” (Mental head slap.)
I finally took a deep breath and started with the stems. Big stems. Slim stems. Slimmer stems. Even slimmer stems on the slimmer stems. Did you know there are little tiny white places on brown stems? And some little darker brown spots? And did you know that when the stem meets the tiny little orange-red berry on the Winter King Hawthorn that there is an ever-so-slight indentation?
I don’t believe I’ve ever really looked that closely—or for that long—before. I’ve been too busy pulling the weeds under the tree, I suppose.
But as I looked at the berries, I see that they aren’t just ORANGE. They are hues of orange that can be drawn to suggest the shading, circular shape and even shininess of the berry.
Capturing all this newfound insight with a pencil is not so very easy, however. This does not come naturally to me.
But as I was browsing through the Barnes & Noble for the last of the recommended texts I needed, a rather obvious revelation came to me. The reason people write and publish books on drawing and other arts is because all these fabulous techniques don’t come naturally to most people. And that’s why they have whole classes devoted to learning different art techniques. So you can learn to do it!
Just like I had to take years and years of piano lessons and spend hours and hours of time practicing before I could call myself a pianist, people spend many years at training and practice to become artists! No one (okay, hardly anyone) just sits down at the piano for the first time knowing how to play. Most people don’t just pick up a pencil and create a fabulous drawing their first try.
Isn’t it funny how the most obvious things can be the last things that you understand?
Robin
